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会場情報
よく似た体験
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1. Back to the Future: The Musical
Adelphi Theatre, 月, 29 日4 月 2024 - 日, 22 日12月 2024¥ 4,520
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2. ライオンキング The Lion King
Lyceum Theatre, 火, 30 日4 月 2024 - 土, 19 日10月 2024¥ 9,662
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3. Tina:ティナ・ターナーミュージカル
オルドウィッチ劇場, 月, 29 日4 月 2024 - 土, 31 日5月 2025¥ 2,432
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4. Mamma Mia
Novello Theatre, 月, 29 日4 月 2024 - 土, 29 日3月 2025¥ 2,857
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5. オペラ座の怪人 Phantom of the Opera
His Majesty's Theatre, 月, 29 日4 月 2024 - 土, 29 日3月 2025¥ 5,766
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6. Moulin Rouge! The Musical
Piccadilly Theatre, 月, 29 日4 月 2024 - 土, 12 日10月 2024¥ 4,624
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7. ウィケッド Wicked
Apollo Victoria Theatre, 火, 30 日4 月 2024 - 日, 1 日6月 2025¥ 5,766
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8. ミュージカル「マチルダ」
ケンブリッジ劇場, 火, 30 日4 月 2024 - 日, 25 日5月 2025¥ 4,624
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9. レミゼラブル Les Miserables
Sondheim Theatre, 月, 29 日4 月 2024 - 土, 29 日3月 2025¥ 5,766
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10. Frozen the Musical
Theatre Royal Drury Lane, 水, 1 日5月 2024 - 日, 8 日9月 2024¥ 7,481
Similar categories
Double Feature
“Art and Eros are always superimposed, don’t you find? You cannot separate the two: the model naked in supplication before the artist; the artist exposing himself in trust. The beast of creation is always erect.”
1964/1967. In a rented cottage in Suffolk, a brilliant young film director, deep in making his magnum opus, confronts the ageing star that the studio has imposed on him. Vincent Price is about to walk out on the film, and Michael Reeves’ career hangs by a thread. Across the world, in a strange simulacrum of a Suffolk cottage created on a Hollywood lot, a great director and his star are engaged in a very different sort of power-game, as Alfred Hitchcock and Tippi Hedren take time off from making Marnie for one final confrontation.
John Logan is an American playwright and screenwriter. His other plays include the Tony Award-winning play Red (West End and Broadway), Peter and Alice (West End) and the book for Moulin Rouge (West End, Broadway, International); his screenplays include The Aviator, Skyfall and Gladiator.
Jonathan Kent returns to Hampstead where his previous productions include Good People, The Slaves of Solitude and The Forest.
1964/1967. In a rented cottage in Suffolk, a brilliant young film director, deep in making his magnum opus, confronts the ageing star that the studio has imposed on him. Vincent Price is about to walk out on the film, and Michael Reeves’ career hangs by a thread. Across the world, in a strange simulacrum of a Suffolk cottage created on a Hollywood lot, a great director and his star are engaged in a very different sort of power-game, as Alfred Hitchcock and Tippi Hedren take time off from making Marnie for one final confrontation.
John Logan is an American playwright and screenwriter. His other plays include the Tony Award-winning play Red (West End and Broadway), Peter and Alice (West End) and the book for Moulin Rouge (West End, Broadway, International); his screenplays include The Aviator, Skyfall and Gladiator.
Jonathan Kent returns to Hampstead where his previous productions include Good People, The Slaves of Solitude and The Forest.